Alternative to xtocc3/22/2023 You can then delete silent tracks, edit others, and apply effects on an individual basis. To reveal and edit the clip’s individual audio tracks, right-click that clip in the timeline and choose Expand Audio Component (CTRL-OPT-S) and the audio expands in the timeline to show you all your separate ISO tracks. You could think of it as a quasi-compound clip of audio only. When you edit a clip into your timeline-regardless of how many audio tracks the clip contains-FCPX shows you a single waveform mixdown of all the audio tracks in that clip. Having 10 tracks of audio in your timeline while editing for picture can be quite annoying and can lead to accidentally shifting things out of sync. Let’s say you have 2 tracks of a stereo mixdown, 2 boom mics, 2 lavs and 4 additional ISO’s (Isolated Tracks/Channels of Recorded Audio). This is incredibly helpful when you are dealing with multi-track audio from set. If one of the parameters (loudness, NR or Hum) do not engage, it means the audio does not need that adjustment ( No Problems Detected) and if they do engage it means they did ( Fixed).Īudio Components are FCPX’s way of wrapping all the separate audio tracks/streams for a clip into a single expandable/collapsible container in your timeline. The wheels will spin and it will recommend the optimal settings for anything it feels the need for. ![]() You can also click on the little magic wand icon in the Inspector next to where it says “not analyzed”. You can do this upon import or afterwards by right-clicking a clip(s) and selecting ‘Analyze and fix audio problems’. I would never recommend this for a fine audio edit, but if you are looking to do a quick temp mix, the Loudness, Noise Removal, and Hum Removal trio do a surprisingly good job. Coupled with FCPX’s trackless timeline and audio Components, this makes it difficult to lose sync by accident while editing and allows you to easily view, edit, mix and master your audio in myriad ways.Īnother great feature in FCPX is its ability to Analyze and Fix basic audio problems automatically. This is especially important because you need to select your clips in the browser to sync them. From here you can easily find the secondary audio to be synced with its corresponding video. For example, if you have your video and audio organized on your hard drive and labeled with the proper day, reel, scene etc., all your media will essentially come into FCPX already organized in their appropriate keyword collections (folders). This is incredibly helpful as it allows you to organize your media even more precisely as it comes into FCPX. As long as you use the proper import settings. Also, tags added to media at the finder level-including folders-can turn into their own keyword collection upon import. You can import any iXML track name info alongside your audio files if your sound labeled their channels properly. (Let’s say you wanted to focus just on dialogue or only on music.) BEFORE Show Audio Lanes AFTER Show Audio Lanes Show Audio Lanes with Focus on Dialogue Role You can even solo one Lane at a time to focus in on one particular Role. Then click on Show Audio Lanes. This takes all your disparate audio clips and organizes them according to their Roles into separate Audio Lanes. When you’re ready to focus in on audio editing simply head back to your Timeline Index to your Roles tab. Normally you would spend some time neatening up your Timeline before you dove into audio editing but in the case of FCPX, all this neatening and organization is done with the click of a keystroke. Here you can create new roles, sub-roles and rename existing roles.Īssigning each audio clip a Role becomes incredibly helpful the more complicated your edit gets. Click on this to bring up the Role Editor. ![]() To create custom roles and sub-roles head over to the Timeline Index (CMD+SHIFT+2) and click on the Roles tab.Īt the bottom, you will find Edit Roles. ![]() You also have the power to create custom roles and sub-roles within FCPX to organize your project even further. When you import Audio into Final Cut you can assign it a specific Role (dialogue, music, SFX etc). Let’s first look at some of the tools and features you’ll use when first importing FCPX audio media. As you will soon find out, the number of FCPX audio features under the hood are vast. Don’t let the simplicity of FCPX’s interface fool you. And also to see if FCPX gives you enough to avoid round-tripping another DAW. Today we’re going to dive the FCPX audio capabilities that might change your view. In most professional situations, you send audio out to Pro Tools or some other DAW (Digital Audio Workstation) upon picture-lock.īut what if you didn’t have to? What if your NLE gave you all the audio capabilities required to deliver a professional audio mix? Even if you’re a top-flight FCPX audio wrangler. ![]() For the majority of post-workflows out there, the chances of you finishing your audio in your NLE are rare.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |